I actually didn't like *The Book Thief* very much at first; in fact, not until I was well over halfway through the book did I experience a massive shift from ambivalence to awe. I almost didn't type that last sentence because I don't want to sway potential readers away from giving it a try, but I also want to assure them that, even if it takes a while to get into, it's well worth the effort.
OK, I can't believe I've typed all that and still haven't described the book. Sorry. It takes place in Hitler's Germany, with chapters alternating between first and third person narration. The third person narration tells the story of Liesel Meminger, a little girl who is adopted by a German couple after her mother becomes unable to care for her. The novel's title comes from Liesel's habit of stealing books and the importance that each title has in her life. The first person narration is by Death. You heard me right. Death is the narrator. In the author section at the end of the book, Markus Zusak explains how he originally had given Death a cruel persona, but changed his mind and instead made Death a sympathetic narrator. This device is what made the book so shattering to me. The idea of Death being tormented by all of his "work" during the Holocaust years is really haunting; in fact, at one point Death explains that he is "haunted by humans." Beautifully tragic, no?
The other element of *The Book Thief* that I loved was Zusak's use of figurative language. He combines metaphors and switches up images and descriptions to create new ways of explaining and looking at feelings, events, and objects. He also uses colors to lend additional meaning and feeling to events and people (hello, F. Scott Fitzgerald!).
Anyway, my point to all this is: Read it. Love it? Think it's too contrived? Let me know!
4 out of 4 Bananas
Abraham Lincoln Illinois High School Book Award 2010 Nominee